THE INTERNATIONAL BESTSELLER
‘Delectable and fun’ Guardian
‘Kuku astounds with her presentation of modern day Lagos’ Tatler
‘Bewitching and revelatory’ The New York Times
One night, you will calmly put a knife to your husband’s penis and promise to cut it off. It will scare him so much that the next day, he will call his family members for a meeting in the house. He will not call your family members, but you will not care.
Nearly All the Men in Lagos Are Mad is a collection of twelve short stories featuring characters with unique voices and stories that represent the diverse class, gender and ethnic melting pot that is Lagos.
There’s a story of a young lady who tries to find her oyibo soulmate on the streets of Lagos; another of a pastor’s wife who defends her husband from an allegation of adultery; a wife takes a knife to her husband’s penis; a night of lust between a rising musician and his Instagram baddie takes an unexpected turn.
Nearly All the Men in Lagos Are Mad underscores with wit, humour, wisdom and sensitivity, the perils of trying to find lasting love and companionship in Africa’s most notorious city.
A Book of the Year in The Economist and Daily Mail
A Barack Obama 2024 Summer Reading List Pick
‘One of the most important non-fiction books of the year’ – Sunday Times
Boys are 50% more likely than girls to fail at all three key school subjects: maths, reading and science
In the US, the wages of most men are lower today than they were in 1979, while women’s wages have risen across the board
In the UK, suicide is the biggest killer of men under the age of 45
Boys are falling behind at school and college because the educational system is structed in ways that put them at a disadvantage. Men are struggling in the labour market because of an economic shift away from traditionally male jobs. And fathers are dislocated because the cultural role of family provider has been hollowed out. The male malaise is not the result of a mass psychological breakdown, but of deep structural challenges.
Structural challenges require structural solutions, and this is what Richard V. Reeves proposes in Of Boys and Men – starting boys at school a year later than girls; getting more men into caring professions; rethinking the role of fatherhood outside of a nuclear family context.
Feminism has done a huge amount of good in the world. We now need its corollary – a positive vision of masculinity that is compatible with gender equality.
ACADEMY AWARD WINNER: Best Picture, Best Director & Best Actress
Starring Oscar winner Frances McDormand & directed by Chloé Zhao
‘Sublimely written’ Sunday Times
‘Scorching, beautifully written, vivid, disturbing (and occasionally wryly funny)’ Rebecca Solnit
Nomadland tells a revelatory tale of the dark underbelly of the American economy – one which foreshadows the precarious future that may await many more of us. At the same time, it celebrates the exceptional resilience and creativity of people who have given up ordinary rootedness to survive, but have not given up hope.
From the beetroot fields of North Dakota to the campgrounds of California to Amazon’s CamperForce program in Texas, employers have discovered a new, low-cost labour pool, made up largely of transient older adults. These invisible casualties of the Great Recession have taken to the road by the tens of thousands in RVs and modified vans, forming a growing community of nomads.
Golden Globes Winner: Best Film, Best Director
Bafta Winner: Best Film, Best Director, Best Actress
A number one Irish bestseller, and winner of the Popular Non-Fiction Book of the Year at the Irish Book Awards
In this fascinating and thought-provoking book, Professor Luke O’Neill grapples with life’s biggest questions and tells us what science has to say about them.
Covering topics from global pandemics to gender, addiction to euthanasia, Luke O’Neill’s easy wit and clever pop-culture references deconstruct the science to make complex questions accessible. Arriving at science’s definitive answers to some of the most controversial topics human beings have to grapple with, Never Mind the B#ll*ocks, Here’s the Science is a celebration of science and hard facts in a time of fake news and sometimes unhelpful groupthink.
‘A celebration of scientific fact in an era characterised by nebulous subjectivity’ Irish Times
‘A small masterpiece’ The Spectator
My Own Worst Enemy is a wry and moving memoir of a working-class childhood in 1960s Sheffield, and the relationship between a touchy, tragicomic bully of a father and a son whose acceptance to grammar school puts him on another track entirely.
With a novelist’s eye, Robert Edric vividly depicts a now-vanished era: of working-men’s clubs; of tight-knit communities in factory towns; and of a time when a woman’s place was in the home. And he brings to colourful life his family, both close and extended – though over all of it hovers the vanity and barely-suppressed anger of his own father.
My Own Worst Enemy is a brilliantly specific portrait both of particular time and place – the Sheffield of half a century ago – and a universal story of childhood and family, and the ways they can go right or wrong.
What if the CIA and MI6 began spying on each other? Artemis Procter returns in David McCloskey’s electrifying new spy thriller.
What if the CIA and British intelligence began spying on each other? This is the question at the heart of David McCloskey’s thrilling fifth novel. A new US Administration has taken office, installing a brash and unconventional CIA Director determined to disrupt the Agency and sceptical of its close relationship with their cousins across the Atlantic. Case officers, including newly installed London Chief of Station, Artemis Procter, must now navigate a tense environment as old friends become adversaries and no one knows who to trust. When agents run by both services begin dying, Procter and her team at London Station must decide whether loyalty to the Mission and their friends means disobeying the Agency they serve.
Immersing readers in the technological revolution upending intelligence tradecraft, David McCloskey’s brilliant new thriller depicts the nuts-and-bolts mechanics of how CIA and MI6 collaborate and explores what happens when politics threaten to destroy the ‘Special Relationship’ between America and Britain.
THE FIFTH NOVEL FROM FORMER CIA OFFICER, THE REST IS CLASSIFIED PODCAST CO-HOST AND THE BESTSELLING AUTHOR OF ***THE TIMES THRILLER OF THE YEAR***DAMASCUS STATION (‘One of the best spy thrillers in years’ THE TIMES) AND ***SUNDAY TIMES BOOK OF THE YEAR*** MOSCOW X
Many of us are drawn to a life in the arts but daunted by how to balance that ambition with the very real need to pay rent and put food on the table. It is impossible to become an accomplished painter, composer, or novelist without spending time experimenting, making false starts, absorbing criticism, reading, talking, and moping about the house. All this time must be purchased, one way or another. Is the history of art and ideas just a history of rich kids?
The answer, of course, is no. William Carlos Williams was a family doctor. Franz Kafka was an insurance man, as were Charles Ives and Wallace Stevens. Grace Hartigan temped. James Joyce mooched off his brother; Christopher Isherwood ingratiated himself with a wealthy uncle. Virginia Woolf and Louisa May Alcott were determined to make their writing pay no matter what. And their material circumstances had an impact on all of their creative outputs.
From family money to jobs to colorful schemes, Mason Currey, author of the acclaimed Daily Rituals, explores both the well-worn and unlikely paths forward for the up-and-coming artist. Making Art and Making a Living is an entertaining and thought-provoking examination of the collision of creative ambitions with real-world necessities and of the messy, glorious, torturous compromises that gifted individuals have patched together when facing the eternal dilemma of an artistic life.
Richard Holloway has been the archetypal ‘turbulent priest’. Having risen to be the Primus (Head) of the Scottish Episcopal Church, he abandoned religion and ecclesiastical office to fight for the rights of minorities and to write a string of best selling books, most famously Leaving Alexandria. He also became Chairman of the Scottish Arts Council.
In this, his last book, he reflects deeply on his life, most especially as a child of desperately poor parents in Dumbartonshire in Scotland. He tells the story of how he found faith but then abandoned Christian orthodoxy after leaving office as Head of the Scottish Episcopal Church, and discovered a new life as a writer, broadcaster, journalist and public intellectual.
This book opens and ends with chapters of a philosophical kind in which he explains how he lost belief in a loving God and became true to himself.
‘A compelling account of a compulsory subject … A masterpiece of compression and readability’ Daniel Finkelstein
‘A deft, clear-eyed summary of Thatcher’s life’ Rory Stewart
‘Iain Dale introduces Margaret Thatcher to a new generation and intelligently explodes some of the myths about her’ Simon Heffer
Margaret Thatcher was a woman of tremendous paradoxes: a conviction politician who was also a pragmatist; someone who delighted in her tough reputation, yet could also be emotional, and even tearful, when confronted by personal or national tragedy. Her reputation as a cabinet leader was one of being quasi-dictatorial, yet she left her ministers to get on with their jobs – far more than any of her successors ever have. She was known as a classical laissez faire liberal, yet she started out as a social conservative, and wasn’t averse to state intervention when she felt it was warranted.
Iain Dale’s sparkling short biography of Margaret Thatcher brings her to life in all her paradoxes and contradictions, and shows how her election in 1979 really was a turning point in British history. Dubbed the ‘Iron Lady’ by the Soviets, she was one of the few recent prime ministers to burnish an international reputation, fighting the Falklands war, playing a leading role in defeating Communism and winning the Cold War, and through her battles with the European Economic Community. Domestically, she ushered in a period of forty years of consensus on the limited role of the state, an industrial relations settlement and the dominance of the private sector in the economy – a settlement that is only now being seriously questioned.
A little over a decade after her death, Margaret Thatcher introduces her to new generations of readers who may not remember her premiership, but who are living with its consequences.
‘Bracing, nourishing and wonderfully pro-woman’ Victoria Smith, author of Hags
‘A big-hearted, infuriating, clever and highly entertaining read, just like the woman who wrote it’ Kathleen Stock, author of Material Girls
‘Personal, passionate memoir-cum-cultural commentary’ New Statesman
‘Excellent … Discursive and engaging’ Susanna Rustin, author of Sexed: A History of British Feminism
What does it mean to be a lesbian now? Has the quest for lesbian liberation stalled, and if so, why?
Part-memoir, part frontline reportage and part cultural commentary, Julie Bindel examines what defines lesbian culture, love, friendship and happiness today. She distinguishes the particular challenges facing lesbians from the very different experiences of gay men, and asks: why do lesbians so often seem to face particular hostility? Comparing past attitudes to today, she argues that lesbians continue to suffer from bigotry and discrimination because sexism and enforced gendered roles are still left unchallenged. She explores why many of the biggest assaults on lesbian freedom and wellbeing around the world now come, not just from conservatives, but also from so-called progressives, who are often antagonistic to lesbians organising and socialising autonomously.
Rooted in her own remarkable story, this personal and passionate book is both an investigation into the obstacles to lesbian flourishing, and a testament to the particular delights of being a lesbian.