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We were thrilled to reach the end of 2021 with a stellar group of eight books selected as Books of the Year.

The ‘deeply moving’ The High House by Jessie Greengrass was chosen by Good Housekeeping. Joanne Finney described her reading experience as an extremely memorable one: ‘so grounded in reality and the ordinariness of the lives of this disparate group, that I had to read parts of it through my fingers’. The High House was also shortlisted for the Costa 2021 Book Awards.

Mick Herron selected Jo Lloyd‘s The Earth, Thy Great Exchequer, Ready Lies (also shortlisted for the Edge Hill Short Story Prize) in the Daily Express and Timothy Ogene‘s Seesaw was picked twice in The White Review by Jen Calleja and Luke Brown.

Calleja called Seesaw ‘a brilliantly meta satire about literary culture, race, class, not writing – the spoofing of academic language and the unreliable narrator’s escapades are creasing me up and making me cringe in equal measure’.

The Upswing by Robert Putnam and Shaylyn Romney Garrett, was reviewed as ‘the most important book in social science for many years’ by Paul Collier in The Times Literary Supplement Books of the Year roundup.

To the Lake by Yana Vagner was praised as ‘a galloping thriller that you will want to devour in one sitting’ by Susan Swarbrick in The Herald and Adam LeBor in Financial Times chose ‘Vagner’s standout debut’ as ‘an absorbing, evocative odyssey that also reaches deep into the main characters’ backstories’.

Woke, Inc. by Vivek Ramaswamy was selected by The Sunday Times, The Daughters of Kobani by Gayle Tzemach Lemmon features in the personal favourites of The Daily Expressand Bring Back Our Girls by Joe Parkinson and Drew Hinshaw was included in The Telegraph‘s highlights.

 

 

 

We are thrilled to have Jessie Greengrass‘s inimitable novel The High House on the 2021 Costa Novel Award shortlist.

Congratulations to all the authors and publishers celebrated. View the full shortlist.

Judge Jessie Burton says, ‘what we wanted was a novel that a reader would want to read and immerse themselves in, even if it was challenging material, like facing the reality of the world heating up. And I think Jessie’s book makes it all uneasily plausible, because she does it very subtly. She’s a brilliant writer, and that’s what elevated it out of just writerly concern for the planet’.

Read the full Guardian article about how this year’s shortlist highlights climate anxiety.

Read an interview with Jessie about facing her fears in The High House.

The category winners will be announced on Tuesday 4th January 2022 and the Costa Book of the Year announced on Tuesday 1st February 2022.

You can buy the book at Waterstones, Foyles, Bookshop.org or your local bookshop.

Jessie Greengrass‘s poignant and urgent novel The High House quickly became a fan favourite and is an essential bookshelf staple as we watch our leaders publicly declare how they are going to tackle the imminent issues of climate change at The 2021 United Nations Climate Change Conference.

Chosen by the Independent, Guardian and New Statesman as a most anticipated new novel of 2021, The High House moved readers to hold up their five-star praises many times over.

In Jessie’s words, ‘for all that wilderness and its preservation has a vital part to play in the future, we also need to learn to see the value in the rest of the planet, even the parts which might seem catastrophically at odds with traditional ideas of the wild’. Head to bookshop.org to read Jessie’s list of recommended environmental reads and a short essay on her selection of books.

Praise for The High House:

‘Greengrass steeps us deeply in her wild, watery setting … its prophetic vision fixes the attention’ – Daily Mail

‘Full of elegant, resonant sentences about human fallibility, complacency, selfishness and our unquenchable capacity for love’ – Sunday Times

‘This brave, important and exquisitely written novel is a frightening one. But even the darkest times are lit by moments of beauty and grace, and the reader is uplifted by Greengrass’s conviction that salvation lies not in competing with one another to survive but in uniting to help those we love’ – Sigrid Nunez

‘A book suffused with the joy and fulfilment of raising a child. The High House stands out, for Greengrass understands that perhaps the best writers and artists can hope for no is to help us admit, accept and process our collective failure to act’ – Guardian

‘By the end I felt a tightening in my chest. Not only admiration for what I had read, but fear, which I had swallowed down, one calm and often beautiful sentence after another. The High House managed to shock my system in a way that the attention-grabbing antics of Extinction Rebellion have not done’ – Scotsman

‘Will delight readers who relish the ambition and originality of her work, and leave them pondering its ideas about climate change, family, inequality and the ethical dilemmas that are posed by a crisis’ – i paper

Chillingly articulate’ – Daily Telegraph

‘Greengrass uses a future post-apocalyptic world as a perspective from which to apply the melancholic, nostalgic air of Ian Sinclair, Rachel Lichtenstein or W G Sebald to our own present. You think you have time. And then, all at once, you don’t’ – Irish Times

‘An extraordinary, immersive read’ – IMAGE

‘A master observer of inter-human atmosphere’ – Max Porter

‘This book is completely beautiful’ – Daisy Johnson

Excellent‘ – Jessie Burton

Profoundly moving, this is an incisive yet hopeful reflection on how to move forward together’ – Julianne Pachico

‘Greengrass has encapsulated the dignity of our individual actions and the true value of what we possess’ – Lonesome Reader

‘I have no qualms in saying The High House is a must read – Bookmunch

Haunting new novel … Greengrass is among a growing number of novelists who are confronting this unfolding catastrophe through the young genre of climate fiction’ – Guardian

Subtle and affectingtender and terrifying, and written in the most sumptuous and delicate prose’ – Esther Freud

Dramatic, intense and realistically terrifying, To The Lake is a book I won’t forget in a hurry. I thought it was excellent‘ – Linda Hill

This November we’re taking bloggers and readers on a journey to the edge. Travel into the freezing heart of Russia with Yana Vagner‘s bestselling novel To The Lake  (translated into English by Maria Wiltshire).

Now adapted into a Netflix TV series, To The Lake was inspired by a real-life flu epidemic in Moscow, and is particularly apt for our times. As the thermometer drops, bloggers are curling up with this ice-cold thriller and sharing their reviews across Twitter.

Mark your diaries and follow:

 

Wanting: The Power of Mimetic Desire, and How to Want What You Need is a groundbreaking exploration of why we want what we want, and a toolkit for freeing ourselves from chasing unfulfilling desires.

Humans don’t desire anything independently. Human desire is mimetic – we imitate what other people want. In this essential book, Luke Burgis shows us how to work with mimetic desire to turn blind wanting into intentional wanting, and take back control of what we want.

Published in the UK on 1 July, Wanting was selected as a Financial Times Business Book of the Month for June and has stormed the digital landscape, featuring in Initialized Capital, The Daily Stoic, Finding Brave, The Hidden Forces, The Gabby Reece Show and more. 

Luke Burgis is the founder and director of Fourth Wall Ventures, an incubator for people and companies that contribute to the formation of a healthy human ecology. He graduated from NYU Stern School of Business and later from a pontifical university in Rome, where he studied theology.

Follow his Reddit AMA

Connect with Luke online

Praise for Wanting

‘A spellbinding read’ – Adam Grant

‘Luke Burgis makes Girard’s ideas come alive for those of us who don’t have a Ph.D. in literary studies. This fascinating and playful book will be of particular help for anyone who leads or manages people’ – Jonathan Haidt

I love the book‘ – Ryan Holiday

‘Offer(s) some fresh perspectives on our desires, what is really driving them and how we take more control’ – Financial Times, Best June Business Books

‘By helping us understand the destructive power of mimetic desire, Burgis offers a way to extricate ourselves and our communities from its harmful grip to form a more human, empathetic, and value-based world’ – Stephen Hanselman, co-author of Lives of the Stoics

‘Luke Burgis has produced the go-to book on this topic‘ – Tyler Cowen

We’re thrilled that Jo Lloyd‘s short story collection The Earth, that Great Exchequer, Ready Lies has been shortlisted for the Edge Hill Short Story Prize.

‘The prestigious prize, now in its 15th year, is the only national literary award to recognise excellence in a published, single-authored short story collection’

The winner of the £10,000 prize will be announced in November. The judges of the 2021 prize are 2020 winner Shelley Day, literary agent Elise Dillsworth and Dr Kim Wiltshire, writer and senior lecturer in Creative Writing at Edge Hill University.

View the full shortlist

Jo has said, ‘thrilled to be included on the Edge Hill Short Story Prize…congratulations to everyone here’.

Follow Jo on Twitter

Praise for The Earth, Thy Great Exchequer, Ready Lies

‘A major talent’ – Hilary Mantel

‘Jo Lloyd writes stories that have the epic sweep, sly humor, and cold, thrilling depths of Mavis Gallant and Jim Shepard, as well as an idiosyncratic brilliance that is hers alone. Her sentences could rouse the dead (and do, in this excellent book)’ – Karen Russell

‘Jo Lloyd’s voice is clear-sighted and timeless, and the stories in her debut collection are magnetic and prescient‘ – Sara Baume

‘I would read anything with her name on it’ – Zoe Gilbert

Beautifully balanced and well-proportioned, the stories in The Earth, Thy Great Exchequer, Ready Lies add up to a compassionate portrait of the ways that people are frail and all the different ways that they can fail’ – Jessie Greengrass

‘The collection reminds me of nothing so much as a series of incredibly detailed black and white photographs, each of which perfectly captures an aspect of existence that I’ve brushed against before but never taken the time to consider. And it’s not enough that each story is perfect; Jo Lloyd does more with single sentences than a lot of people do in entire novels’ – Sara Taylor

‘These stories have a relish for language and an enviable precision that announce a crisp, exciting new voice in short fiction’ – Richard Beard