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A number one Irish bestseller, and winner of the Popular Non-Fiction Book of the Year at the Irish Book Awards

In this fascinating and thought-provoking book, Professor Luke O’Neill grapples with life’s biggest questions and tells us what science has to say about them.

Covering topics from global pandemics to gender, addiction to euthanasia, Luke O’Neill’s easy wit and clever pop-culture references deconstruct the science to make complex questions accessible. Arriving at science’s definitive answers to some of the most controversial topics human beings have to grapple with, Never Mind the B#ll*ocks, Here’s the Science is a celebration of science and hard facts in a time of fake news and sometimes unhelpful groupthink.

‘A celebration of scientific fact in an era characterised by nebulous subjectivity’ Irish Times

ACADEMY AWARD WINNER: Best Picture, Best Director & Best Actress 

Starring Oscar winner Frances McDormand & directed by Chloé Zhao

‘Sublimely written’ Sunday Times

‘Scorching, beautifully written, vivid, disturbing (and occasionally wryly funny)’ Rebecca Solnit  

Nomadland tells a revelatory tale of the dark underbelly of the American economy – one which foreshadows the precarious future that may await many more of us. At the same time, it celebrates the exceptional resilience and creativity of people who have given up ordinary rootedness to survive, but have not given up hope.

From the beetroot fields of North Dakota to the campgrounds of California to Amazon’s CamperForce program in Texas, employers have discovered a new, low-cost labour pool, made up largely of transient older adults. These invisible casualties of the Great Recession have taken to the road by the tens of thousands in RVs and modified vans, forming a growing community of nomads.

Golden Globes Winner: Best Film, Best Director

Bafta Winner: Best Film, Best Director, Best Actress

The extraordinary story behind A Very British Scandal, starring Claire Foy and Paul Bettany

Margaret was debutante of the year, the beautiful fairy-tale heiress immortalised in Cole Porter’s ‘You’re The Tops’ – who ended up penniless and ostracised by her own family.

Legal actions coloured her life – her divorce from the Duke of Argyll was one of the longest, costliest and more notorious in British legal history. Her diaries, and photographs of her with a ‘headless’ naked man, were used in evidence.

This sparkling biography draws on exclusive interviews with the late Duchess to lift the lid off her past, and her scandalous lifestyle. The Duchess Who Dared is a fascinating chronicle of a complex, charming and determined woman.

A BARACK OBAMA FAVOURITE BOOK OF 2020

New York Times best book of 2020

One of the first undocumented immigrants to graduate from Harvard reveals the hidden lives of her fellow undocumented Americans.

Right after the election of 2016, Karla Cornejo Villavicencio realized the story she’d tried to steer clear of was the only one she wanted to tell. So she wrote her immigration lawyer’s phone number on her hand and embarked on a trip across the country to tell the stories of her fellow undocumented immigrants – and to find the hidden key to her own.

In her incandescent, relentlessly probing voice, Karla Cornejo Villavicencio combines sensitive reporting and powerful personal narratives to bring to light remarkable stories of resilience, madness, and death. She finds the singular, effervescent characters across the nation often reduced in the media to political pawns or nameless laborers.

The stories she tells are not deferential or naively inspirational but show the love, magic, heartbreak, insanity, and vulgarity that infuse the day-to-day lives of her subjects. And through it all we see the author grappling with the biggest questions of love, duty, family, and survival.

Shortlisted for a National Book Award, a National Book Critics’ Circle Award and an L.A. Times Book Prize

A groundbreaking exploration of why we want what we want, and a toolkit for freeing ourselves from chasing unfulfilling desires.

Humans don’t desire anything independently. Human desire is mimetic – we imitate what other people want. This affects the way we choose partners, friends, careers, clothes and travel destinations. Mimetic desire is responsible for the formation of our very identities. It explains the enduring relevancy of Shakespeare’s plays, why Peter Thiel decided to be the first investor in Facebook, and why our world is growing more divided as it becomes more connected.

Drawing on his experience as an entrepreneur, teacher and student of classical philosophy, Luke Burgis shares tactics that help turn blind wanting into intentional wanting – to be more in control of the things we want, and to find more meaning in our work and lives.

A young entrepreneur makes the case that politics has no place in business, and sets out a new vision for the future of capitalism.

The modern woke-industrial complex divides us as a people. By mixing morality with consumerism, corporate elites prey on our innermost insecurities about who we really are. They sell us cheap social causes and skin-deep identities to satisfy our hunger for a cause and our search for meaning, at a moment when we lack both.

Vivek Ramaswamy is a traitor to his class. He’s founded multibillion-dollar enterprises, led a biotech company as CEO, trained as a scientist at Harvard and a lawyer at Yale, and grew up the child of immigrants in a small town in Ohio. Now he takes us behind the scenes into corporate boardrooms and five-star conferences, into Ivy League classrooms and secretive nonprofits, to reveal the defining scam of our century.

But this book not only rips back the curtain on the new corporatist agenda, it offers a better way forward. Corporate elites may want to sort us into demographic boxes, but we don’t have to stay there. Woke, Inc. begins as a critique of stakeholder capitalism and ends with an exploration of what it means to be a member of society in 2021 – a journey that begins with cynicism and ends with hope.

In my case, reading has always served a dual purpose. In a positive sense, it offers sustenance, enlightenment, the bliss of fascination. In a negative sense, it is a means of withdrawal, of inhabiting a reality quarantined from one that often comes across as painful, alarming or downright distasteful. In the former sense, reading is like food; in the latter, it is like drugs or alcohol.

In Autobibliography, Rob Doyle recounts a year spent rereading fifty-two books – from the Dhammapada and Marcus Aurelius, via The Tibetan Book of the Dead and La Rochefoucauld, to Robert Bolaño and Svetlana Alexievich – as well as the memories they trigger and the reverberations they create. It is a record of a year in reading, and of a lifetime of books.

Provocative, intelligent and funny, it is a brilliant introduction to a personal canon by one of the most original and exciting writers around. It is a book about books, a book about reading, and a book about a writer. It is an autobibliography.

‘Fascinating. It blew my mind!’ Malcolm Gladwell

Wonderworks reveals that literature is among the mightiest technologies that humans have ever invented, precision-honed to give us what our brains most want and need.

Literature is a technology like any other. And the writers we revere – from Homer to Shakespeare, Austen to Ferrante – each made a unique technical breakthrough that can be viewed as both a narrative and neuroscientific advancement. But literature’s great invention was to address problems we could not solve: not how to start a fire or build a boat, but how to live and love; how to maintain courage in the face of death; how to account for the fact that we exist at all.

Based on Angus Fletcher’s own research, Wonderworks tells the story of the greatest literary inventions through the ages, from ancient Mesopotamia to modern-day America. It draws on cutting-edge neuroscience to demonstrate that the inventions really work: they enrich our lives with joy, hope, courage and energy, and they help our brains heal from grief, loneliness and even trauma.

From ancient Chinese lyrics to nursery rhymes and fairy tales, from slave narratives to contemporary TV shows, Wonderworks walks us through the evolution of literature’s crucial blueprints, and offers us a new understanding of its power.

‘Fascinating’ Margaret Atwood
Can taking the law into your own hands be the right thing to do?  

In June 2013, three upstanding citizens of a small town in Nova Scotia murdered their neighbour, Phillip Boudreau, while out fishing.
Boudreau was an inventive small-time criminal who had terrorised and entertained Petit de Grat for two decades. He had been in prison for nearly half his adult life. He was funny and frightening, loathed, loved and feared. Boudreau seemed invincible, a miscreant who would plague the village forever. As many people said, if those fellows hadn’t killed him, someone else would have.  
Blood in the Water is a gripping story in a brilliantly drawn setting, about power and law, security and self-respect, and the nature of community. And at its heart is a disturbing question: are there times when taking the law into your own hands is not only understandable but the responsible thing to do?

Yang Jisheng’s The World Turned Upside Down is the definitive history of the Cultural Revolution, in withering and heartbreaking detail.

As a major political event and a crucial turning point in the history of the People’s Republic of China, the Great Proletarian Cultural Revolution (1966–1976) marked the zenith as well as the nadir of Mao Zedong’s ultra-leftist politics. Reacting in part to the Soviet Union’s “revisionism” that he regarded as a threat to the future of socialism, Mao mobilized the masses in a battle against what he called “bourgeois” forces within the Chinese Communist Party (CCP). This ten-year-long class struggle on a massive scale devastated traditional Chinese culture as well as the nation’s economy.

Following his groundbreaking and award-winning history of the Great Famine, Tombstone, Yang Jisheng here presents the only history of the Cultural Revolution by an independent scholar based in mainland China, and makes a crucial contribution to understanding those years’ lasting influence today.

The World Turned Upside Down puts every political incident, major and minor, of those ten years under extraordinary and withering scrutiny, and arrives in English at a moment when contemporary Chinese governance is leaning once more toward a highly centralized power structure and Mao-style cult of personality.